Filmed over many years and seasons, here’s a new experimental film called The Door. What I like about something like this are the tactile elements: scratches, flecks, dust, various film transfers, distortions, and painting on the celluloid. I’ve heard this concept of feeling the materiality in a film referred to as cinematicity.
A door is a barrier, a line, and a moment of rupture in time. In our feature film, Goblin, there are many similar doors that characters pass through. Some of these doors are physical, some of them are ones of consciousness, and some of them are to other realities. Please help bring Goblin into production by visiting and supporting our Kickstarter –> HERE!
